Masters Program

Six Months (960 Total Hours)

The Master Program takes your training to an advanced level with it’s 24 weeks of full-time guitar making here in our shop. After six months of continual training, you’ll have a solid understanding of what it takes to make a living in guitar building and repair. With the Galloup Team’s guidance you will select class projects to tailor your training to accommodate your personal goals.

The Master Program includes three levels of Instrument Voicing lessons that sync with your building projects giving you insights into wood selection, testing and record keeping. These lessons are key to developing your tone and are unique to the Galloup School. In addition, the Masters Program’s Business and tooling classes will prove to be central to your success.   

Term One

Term One lays the foundation for your Master Class training. Over this eight week session you’ll get hands on training by making two guitars, one acoustic and one electric. Simultaneously, you will move through the repair class, take Level One Business and Level One Instrument Voicing.

Guitar Repair Classes

To ensure success you will need to generate a positive cash flow. One of the fastest ways to do so is through repairs and restorations. These repair sessions cover the most requested, best money making topics.

Repairs: Session One

Fretting – 8 hrs First we’ll focus on fretting techniques. You’ll be introduced to the fret jig, which simulates string tension on an unstrung guitar to allow for faster, more accurate fretwork.

Topics covered: truss rod designs – flattening fret boards – re-fretting – compression fretting – hammer-in fretting – gluing in frets – routing fret slots – dressing frets – adjusting truss rods – repairing loose frets – selection fret wire

Repairs: Session Two

Finishing Techniques – 2 hrs In repair work, it’s important to be able to refinish both electrics and acoustics. You’ll learn the finishing techniques used by manufacturers, plus the necessary woodworking skills to restore damaged guitars.

Topics covered: repairing dents – finish sanding – applying wood fillers – spraying custom colors – spraying sunburst – metal flake finishes – wet sanding – buffing

Repairs: Session Three

Acoustic Repairs – 10 hrs Many repair people today acquired their skills on electrics, but neglected the acoustic market because acoustic repairs are typically more advanced. Here we will focus in-depth on acoustic guitars and their unique problems.

Topics covered: neck resets – bridge re-glues – repairing cracks – humidity issues – re-gluing loose braces – repairing bridge plates

Repairs: Session Four

Setup and Maintenance – 10 hrs Two of the most useful and challenging subjects of the program. Every repair job requires some amount of setup to enhance or maintain top performance.

Topics covered: trouble shooting before set up – neck evaluation – truss rod designs – making bone nuts – back filing issues – replacing saddles – identifying neck radius – floating tremolos – locking nuts – proper string gauge – fitting bridge pines – compensated saddles –

Guitar Making: Primer

These lessons cover the most important everyday topics that will come across your workbench. Along with basic electronics, assembly and set-up skills, you will get your first introduction to spraying, wet sanding and buffing guitars style finishes.

Primer: Option One

Electric Guitar

Level One guitar making is formatted around the most successful electric guitar of all time: the bolt-on neck design. Along with general guitar making skills, you will focus on advanced topics to lay the foundation of your training.

Electric Guitar Body – 8 hrs

Wood choice and body design play a large part in the tone of an electric guitar. We’ll look at the different woods used to make electric guitars and the effect of different body styles on tone and sustain.

Topics covered: body styles - wood choices - neck joints - fitting - finish sanding - installing spray hangers 

Electric Guitar Neck – 8 hrs

Just as wood affects the body, when making a neck you have to pay attention to wood choice in order to have a good sounding guitar. You’ll learn what makes a neck sound and play great.

Topics covered: wood choice - scale lengths - fretboard radius - tuner installation - truss rods - finish sanding - installing neck hangers

Finishing  - 24 hrs You’ll finish your electric guitar with the same methods used by guitar companies in the 50’s and 60’s — techniques that have stood the test of time and are recognized as the best sounding finishes used on guitars. You will also work with colors, tints and application methods to get the look that you desire.

Topics covered: body wood stains - spraying techniques - custom colors - sunburst - metal flakes - clear coats - wet sanding - buffing

Electronics – 10 hrs Now that you’ve assembled a great guitar, you’ll have to learn what makes them tick on the inside. These are topics every Luthier needs to know and tools you’ll use every day throughout your career.

Topics covered: pickguards - grounding plates - pickup installation - volume pots - tone pots - switches - output jacks - bridge grounding

Final Assembly – 30 hrs

Learn how to assemble and setup an electric guitar to factory specs. Our methods make the job much easier, which will cut your setup time in half. Many of these were developed by Bryan through years of production along with industry standards every tech needs to know.

Topics covered: pickguard placement - bridge placement - setting necks - tuner installation - installing strap buttons - fret dressing - bone nut - bridge set up - action - string trees - pickup setup - intonation - final buff and polish

Tone Wood Upgrades

For the Electric Primer, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    

Primer: Option Two

Electric Bass

Level One guitarmaking is formatted around the most successful electric bass of all time: the bolt-on-neck design. In almost any music store, these basses outnumber other styles five-to-one. Along with general guitar making skills, you will focus on advanced topics to lay the foundation of your training.

Body – 8 hrs

Wood choice and body design play a large part in the tone of an electric bass. If you play electric solid body basses unamplified, you’ll notice distinct differences between various wood types. A solid body that sounds good acoustically will absolutely sound good amplified. We’ll look at the different woods used to make electric basses and the effect of different body styles on tone and sustain.

Topics covered: body styles - wood choices - neck joints - finish sanding - installing body hangers 

Neck – 8 hrs

Just as wood affects the body, when making a neck you have to pay attention to wood choice in order to have a good sounding bass. You’ll learn what makes a neck sound and play great.

Topics covered: wood choice - scale lengths - fretboard radius - tuner installation - truss rods - finish sanding - installing neck hangers

Finishing – 24 hrs You’ll finish your electric bass with the same methods used by guitar companies in the 50’s and 60’s — techniques that have stood the test of time and are recognized as the best sounding finishes used on guitars. You will also work with colors, tints and application methods to get the look you desire.

Topics covered: body wood stains - spraying techniques - custom colors - sunburst - metal flakes - clear coats - wet sanding - buffing

Electronics – 10 hrs Now that you’ve assembled a great bass, you’ll have to learn what makes them tick on the inside. These are topics every Luthier needs to know and tools you’ll use every day throughout your career.

Topics covered: pickguard types - grounding issues - pickup installation - volume pots- tone pots -  grounding switches - output jacks - bridge and string

Final Assembly – 30 hrs

Learn how to assemble and setup an electric bass to factory specs. Our methods make the job much easier that will cut your setup time in half. Many of these were developed by Bryan through years of production, along with industry standards every tech needs to know.

Topics covered: pickguard placement - bridge placement - setting neck - tuner installation - strap button placement - fret dressing - bone nut - bridge setup - action - string trees - pickup height - intonation - final buff and polish

Tone Wood Upgrades

For the HD30 Electric Primer as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing. 


Business Plan: Level One

Many students are great in a shop but handling the basics of everyday business is not on their radar. For this reason Bryan developed three classes to parallel the Technician, Journeyman and Master Programs to assist students in making the transition.   

Business Plan Level One is designed to teach students that the basics are just not that difficult. For many, getting started is the hardest part of running a business; even if you intend to work for someone else, basic business will be most helpful. 

Guitar Making: Level One

It’s time to decide what area of building and repair that best fit your business plan. To achieve this. two “ground up” build’s options are offered. You can choose either a acoustic guitar or a electric guitar.

The acoustic guitar teaches students what it takes to make a quality instrument and what the modern acoustic guitar market is looking for. Once completed you will have an edge on the market no matter if you choose to build for a living or go into repairs full time. The electric guitar uses an easy template system custom designed for the small production shop. Once completed you will have the ability to set up small production runs making it possible to start your own line of guitars.

Level One: Option One

Steel String Acoustic


We will lead you step-by-step through the building process to give you a real understanding of acoustic guitar design. Upon completion, you’ll have hand-built a flat top acoustic guitar that serves as an excellent way to introduce yourself to potential employers and customers.

Acoustic Guitar Body – 80 hrs
The heart of the acoustic guitar is the body. The tonal quality of the finished instrument reflects wood choices, bracing patterns and body styles. All of these elements will affect clarity, balance, projection, warmth and overall tonal character.

Topics covered: Layout and design - wood selection - top sets - back and sides - plat joining - thickness sanding - bending sides - cutting rosette - cutting sound hole - fitting to mold - parabolic sanding - fitting kerfing - side braces - scalloping back braces - scalloping top braces - assembling body - binding and perflings

Acoustic Neck – 40 hrs

Players are very particular about the neck styles they play. In many cases, the neck's feel and contour are the first thing players consider when purchasing a guitar. We’ll look at how the neck affects the tone, feel, and playability of the guitar.

Topics covered: scale lengths - making a fretboard - peghead designs - overlays - tuner layout - truss rod installation - gluing on fretboard - carving necks - setting necks - fretboard markers - leveling fretboards - fretting - side markers - peghead inlays - heel cap

Acoustic Finish – 40 hrs

Bryan has spent years perfecting acoustic guitar finishes. The methods taught at the Galloup School are systematically perfected operations that will deliver a finish that gives the best tone without sacrificing wood protection.

Topics covered: finish sanding - masking techniques - spray gun operations - wash coats - fillers - clear coats - wet sanding - buffing

Acoustic Setup and Assembly – 40 hrs Final setup and assembly are the means to well-balanced tone and great playability. Most people consider these to be the most challenging aspects of the course.

Topics covered: final neck set - bridge layout - gluing bridges - tuner installation - fitting bridge pins - leveling fretboards - fretting - fret dressing - bone nut - bone saddle - final setup - final buff and polish.

Tone Wood Upgrades

For the Level one Acoustic, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    


Level One: Option Two

Electric Guitar


Bryan designed a template method of building electric guitars that is ideal for small shop production on a tight budget. Using high quality materials, you’ll scratch-build a guitar that reflects the classic lines of some of the finest electrics ever made. 

Level One Electric Body – 60 hrs

As a continuation of  Level One Electric Guitar Making, we will further evaluate the importance of quality material and how they play a part in the tone of the guitar. Unlike the Level One Electric, Your Level Two Electric has a bookmatched flame maple cap that further adds to the complexity your material options have on the tone of the instrument.

Topics covered: body styles - wood choice - joining flame maple tops - joining beck sections - pre-routing for electronics - gluing body blanks - locating holes - using template system - control cavities - pick cavities - neck joint - shaping body

Level One Electric Neck – 50 hours

For the neck on your Level Two Electric, you will make your neck from quarter sawn, high-grade maple. This style of neck making is the most popular electric guitar neck for it’s incredible stability and great tone.

Topics covered: wood choice - gluing neck blanks - truss rod installation - neck joint - scale lengths - fretboard radius - making fretboards - peghead overlay - tuner layout - gluing on fretboard - shaping neck 

Level One Electric Finishing – 60 Hrs As a continuation from your Level One Electric, you will choose a color scheme that suits your preferences. We have a wide selection of colors and shaping options so you can personalize your Level Two Electric.

Topics covered: final shaping of neck - final shaping of body - final shaping of neck - masking techniques - staining body - spraying custom colors - spraying clear coats - wet sanding - buffing

Level One Electric Electronics – 20 hour

Now that you’ve built a custom guitar, you’ll choose the wiring and pickups, giving you more control over the tone of your guitar.

Topics covered:  pickup installation - volume pots - tone pots - switches - output jacks - bridge grounding- soldering

Level One Electric Final Assembly – 40 hrs

Learn how to assemble and setup an electric guitar to factory specs. Our methods make the job much easier, and cut your setup time in half – skills you’ll use every day.

Topics covered: bridge placement - tuner installation - strap button installation - fret dressing - bone nut - bridge set up - action - pick up set up - intonation - final buff

Tone Wood Upgrades

For the Level One Electric, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing. 

 

Voicing: Level One

Principles of Instrument Design – 6 hrs What separates the Galloup School is the ability to teach instrument voicing and design unlike any other guitar making school in the world. The methods taught have been separated into Levels to assures each student has the ability to comprehend the topic as their luthier skills advance. The Bryan’s system is easy to understand and easy to apply putting you on the path to developing you own tone.    

Topics covered: how sound works – compression’s and refraction -human hearing range – guitar body functions – physics of vibrations – fundamentals and harmonics – what are resonances – Helmholtz resonators – tap tones – material selections – bracing – brace voicing – body geometry – porting alterations – plate resonances

Term Two

Term Two is designed to build on the foundations laid out in Term One. Layering the next level building techniques, Level Two Voicing, business class and choosing the correct tool package are all key topics prepping you for employment. The advanced building elements of the Fingerstyle Acoustic or the Set Neck Carved Top Electric are ideal builds while the lessons of Term One are still fresh.

Tooling: Tools, Cauls and Templates

Tools, Cauls and Templates – 20 hrs – Successful Luthiers need the proper tools to get the job done. Bryan has three tool packages which correlate to the training and goals of the graduate.

Journeyman Tool Package 

For General Repairs and Set Ups

The Journeyman Tool Package is the base kit for those setting up shop in a music store or for those whose main focus would be fretting, setups, electronics and part replacement. The tools included can handle most makes and models for both imports and domestic. Toolbox options are flexible for a transportable package or the stationary benchtop option. 

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Technician Tool Package

For Mid-Level Repairs and Fretwork

This tool package includes tools used for fretting, setups and basic repairs, but also includes tools for mid-level repairs that luthiers encounter routinely. With this package, a technician would be comfortable handling the bulk of issues typically passing through the doors at any repair shop.

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Master Tool Package

For setting up a full repair and building facility.

The Master Tool Package is a complete tool kit including tools for all repairs, setups and restorations. Along with hand tools, this kit includes hand power tools, routers, machinery and spray equipment. It’s recommended that a larger benchtop or free standing toolbox is included, but our team can adjust this package to better fit you needs.

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In addition there are many specialty tools you’ve used in the Galloup School that can’t be purchased through traditional outlets. Our CNC shop’s outlet store Luthiers Connection will reproduce the jigs and cauls used at the Galloup School or customize them to your own instrument design. Tool packages will vary depending on time of purchase and do not include taxes, shipping or handling charges.

Business Plan

Business: Session Two – 2 hrs Now that you’ve laid the foundation in Business Level One, you have a decision to make – enter the work force or take on self-employment. All employment opportunities come with their pros and cons, in this class we will look at ways to analyze potential employers to make sure it’s a good fit.

Guitar Making: Level Two

Now that you’ve completed Term One of the Technician Program, you’ve set into motion your area of interest and the instruments you intend to focus on. The next step is to decide what instrument will expand your training to the next level. Depending on your choice, electrics or acoustics, Level Two guitar builds are outstanding instruments that will challenge your skills. 

Level Two: Option One


Fingerstyle Acoustic


Fingerstyle steel string acoustics are a much more demanding instrument than a standard steel string flat top. To meet the demands of the players, the weights and balances are more precise. You will apply the skills you've acquired in you previous builds and apply lessons from our Level One Voicing Class. 

Finger Style Acoustic Guitar Body – 80 hrs
Tonally, a Fingerstyle guitar has a much quicker response and relies less on raw headroom. The variable to achieve this reflects the tone woods you choose and the bracing pattern used to voice the instrument.

Topics covered: Layout and design - wood selection - top sets - back and sides - plate joining - thickness sanding - bending sides - cutting rosette - cutting sound hole - fitting to mold - parabolic sanding - fitting kerfing - side braces - scalloping back braces - scalloping top braces - assembling body - binding and perflings

Acoustic Neck – 40 hrs Players are very particular about the neck styles they play. In many cases, the neck's feel and contour are the first thing players consider when purchasing a guitar. We’ll look at how the neck affects the tone, feel, and playability of the guitar.

Topics covered: scale lengths - making a fretboard - peghead designs - overlays - tuner layout - truss rod installation - gluing on the fretboard - carving necks - setting necks - fretboard markers - leveling fret boards - fretting - side markers - peghead inlays - heel cap

Acoustic Finish – 40 hrs

Bryan has spent years perfecting acoustic guitar finishes. The methods taught at the Galloup School are systematically perfected operations that will deliver a finish that gives the best tone without sacrificing wood protection.

Topics covered: finish sanding - masking techniques - spray gun operations - wash coats - fillers - clear coats - wet sanding - buffing

Acoustic Setup and Assembly – 40 hrs Final setup and assembly are the means to well-balanced tone and great playability. Most people consider these to be the most challenging aspects of the course.

Topics covered: final neck set - bridge layout - gluing bridges - tuner installation - fitting bridge pins - leveling fretboards - fretting - fret dressing - bone nut - bone saddle - final setup - final buff and polish 

Tone Wood Upgrades

For the Level One Acoustic, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    

Level Two: Option Two

Set Neck Electric


Bryan designed a template method of building electric guitars that is ideal for small shop production on a tight budget. Using high quality materials, you’ll scratch-build a guitar that reflects the classic lines of some of the finest electrics ever made. 

Level One Electric Body – 60 hrs

As a continuation of your Level One Electric Guitar Making, we will further evaluate the importance of quality material and how they play a part in the tone of the guitar. Unlike the Level One Electric, Your Level Two Electric has a bookmatched flame maple cap that further adds to the complexity your material options have on the tone of the instrument.

Topics covered: body styles - wood choice - joining flame maple tops - joining beck sections - pre-routing for electronics - gluing body blanks - locating holes - using template system - control cavities - pick cavities - neck joint - shaping body

Level One Electric Neck – 50 hours

For the neck on your Level Two Electric, you will make your neck from quarter sawn high-grade maple. This style of neck making is the most popular electric guitar neck for its incredible stability and great tone.

Topics covered: wood choice - gluing neck blanks - truss rod installation - neck joint - scale lengths - fretboard radius - making fretboard - peghead overlay - tuner layout - gluing on fretboard - shaping neck 

Level One Electric Finishing – 60 Hrs As a continuation from your Level One Electric, you will choose a color scheme that suits your preferences. We have a wide selection of colors and shaping options so you can personalize your Level Two Electric.

Topics covered: final shaping of neck - final shaping of body - final shaping of neck - masking techniques - staining body - spraying custom colors - spraying clear coats - wet sanding - buffing

Level One Electric Electronics – 20 hours

Now that you’ve built a custom guitar, you’ll choose the wiring and pickups, giving you more control over the tone of your guitar.

Topics covered:  pickup installation - volume pots - tone pots - switches - output jacks - bridge grounding- soldering

Level One Electric Final Assembly – 40 hrs

Learn how to assemble and setup an electric guitar to factory specs. Our methods make the job much easier, and cut your setup time in half – skills you’ll use every day.

Topics covered: bridge placement - tuner installation - strap button installation - fret dressing - bone nut - bridge set up - action - pick up set up - intonation - final buff 

Tone Wood Upgrades

For the Level One Electric, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing. 


Voicing: Level Two

Materials and Data Collection – 10 hrs Measurement and data collection is key with developing the voice of the instrument and understanding quality materials is the best bet for consistent results. In Level Two Instrument Voicing we guide you through tone wood selection to help you develop an understanding of what to look for in quality materials.

Topics covered: weights and balances – value of quality materials – record keeping – data collection – properties of tone woods – modulus – dynamic vs static – tap tones – FFT – speed of sound – deflections – setting standards for tone woods

Term Three

Term Three is the final leg of your Master’s Class training. With three instruments behind you it’s time to decide what your final Master Class instrument will be. Level Three Voicing ties together the lessons from previous two terms and the final Business Class will assist you in making your decision of what you’re going after you graduate from the Galloup School.

For graduating Master Class students who are moving into our Graduate Classes, now would be a good time to decide what instruments you will be focusing on therefore aliening your Master Class instrument with your Graduate Class selection. This will give you the be possible outcome for your training options.

Business: Level Three

Many students are great with their hands and good in a shop but handling the basics of everyday business is not on their radar. For this reason Bryan developed three classes to parallel the Technician, Journeyman and Master Programs to assist students make the transition.    

Business Plan Level One is designed to teach students that the basics are just not that difficult. For many, getting started is the hardest part in running a business and even if you intend to work for someone else, basic business will be most helpful.  

Guitar Making Level Three

The guitars made in the Third Term Master Class increase in complexity to challenge the students skills. For those pursuing the path of the electric guitar, Bryan offers the Semi-hollow body Electric but for those focusing on acoustic’s they have the choice of three: the Arch Top, Fan Fret or Nylon String Classical.

Level Three: Option One

Archtop Guitar

Our Archtop Guitar is an old-school, 17" instrument that has a hand-carved Sitka Spruce top and carved figured maple back. Also features a mini double-coil pickup to round out the build.

Archtop Body – 120 hrs Your guitarmaking skills aren’t complete until you’ve mastered the techniques of carving an archtop guitar plate. By the time you have completed this final segment of the Master Program, you will have experienced every aspect of guitar building and repair. 

Topics covered: guitar layout and design - selecting wood - matching top sets - matching back and side - joining tops and backs - top carving - bracing top - carving F-Holes  -bending the sides - fitting the sides to the mold - gluing the head and end blocks - fitting the kerfing - shaping the side braces - scalloping the top bracing - assembling the body - binding and purfling - cutting the dovetail

Archtop Guitar Neck – 40 hrs The arch top neck design includes the handsome details that are traditional on jazz-style guitars. You’ll build a neck using classic design elements and learn how they affect tone and strength. 

Topics covered: scale length - making the fretboard - fretboard inlays - truss rod - dovetail - peghead design - overlays - tuner layout - fretboard gluing - leveling fretboard - Fretting - shaping necks - Neck set - fretboard markers - side markers - inlay - heel cap

Arch Top Guitar Parts – 40 hrs Like the most impressive archtops, yours will have a hand-carved wooden bridge, pickguard and truss rod cover made of wood. You’ll choose wood that matches your fretboard and peghead overlays that ties together the overall look and style.

Topics covered: tailpiece styles - truss rod covers - pickguard styles - pickguard mounting brackets - bridge styles

Electronics – 20 hrs Your archtop is a true acoustic instrument, but most archtop players prefer the added versatility of a pickup. You’ll mount a free-floating pickup that secures to the pickguard, learning how to mount electronics to the instrument unobtrusively.

Topics covered: Pickup selection - Pickup placement - Altering the pickguard to accept the pickup - Mounting controls to the pickguard - Output jack placement

Finishing – 40 hrs In finishing, you’ll learn how to deal with flame maple back and sides, with the added challenge of an arched top and back. At this point, you’ll be impressed by how far you’ve progressed as a finisher!

Topics covered: Scraping binding - Finish sanding - Using spray guns - Advanced masking techniques - Wash coats - Spraying a three-tone sunburst - Clear coats - Wet sanding - Buffing

Setup and Assembly – 40 hrs Setting up an archtop is significantly different from the other instruments we’ve covered. You’ll now be dealing with a much steeper neck pitch and adjustable archtop style bridge.

Topics covered: Final neck sets - Bridge layouts - Making the bridge - Making the tailpiece - Installing the tuners - Fitting the tailpiece - Dressing frets - Making nuts - Final setup - Final buff and polish

Tone Wood Upgrades

For the Level one Acoustic as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    

Level Three: Option Two 

Semi-Hollow Body

The Semi-Hollow Body is an archtop and thinline electric guitar internally blocked to minimize feedback. This makes it ideal for high volume applications. For students, this format is an ideal instrument if electric guitars are your prime focus.

Semi-Hollow Body – 120 hrs Your guitarmaking skills aren’t complete until you’ve mastered the techniques of carving an archtop guitar plate. In addition, a semi-hollow body utilizes a solid block technology to minimize feedback and maximize sustain. 

Topics covered: instrument design - wood selection - matching top set - matching back and sides - joining tops and backs - carving top plates - bracing top - carving F-Holes -  laminating sides - fitting sides to mold - head and end blocks - fitting the kerfing -  body assembly - bindings and perflings - cutting mortise 

Semi-Hollow Necks – 40 hrs The semi-hollow neck design includes a mortise and tenon-style neck and a low profile that most electric players love. You’ll make a neck using classic design elements and learn how they affect tone, strength and sustain.  

Topics covered: scale length - making the fretboard - fretboard inlays - truss rod installation - cutting tendon - peghead designs - overlays - tuner layout - neck sets - gluing fret boards - leveling fret boards - fretting - shaping necks - fretboard markers - side markers - peghead inlay - heel cap  

Finishing – 60 Hrs As a continuation from your Level One Electric, you will choose a color scheme that suits your preferences. We have a wide selection of colors and shaping options so you can personalize your Level Two Electric.

Topics covered: final shaping of neck - final shaping of body - masking techniques - staining body - spraying custom colors - spraying clear coats - wet sanding - buffing

Electronics – 20 hour Now that you’ve finalized the building portion, you’ll choose the wiring and pickups – pickups that you’ll wind yourself, giving you more control over the tone of your guitar.

Topics covered: pickup wiring - pickup installation - volume pots - tone pots - switches - output jacks - bridge grounding

Level One Electric Final Assembly – 40 hrs Learn how to assemble and setup an electric guitar to factory specs. Our methods make the job much easier, and cut your setup time in half – skills you’ll use every day.

Topics covered: bridge placement - tuner installation - strap button installation - fret dressing - bone nut - bridge setup - action - pickup setup - intonation - final buff 

Tone Wood Upgrades

For the Level One Electric as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing. 

Level Three: Option Three

Multi-Scale Fingerstyle 

The Fan Frets are a popular option in the modern acoustic guitar market. Built on the foundation set by the Fingerstyle guitar in term two, students will learn how to make these unique instruments.

Body – 80 hrs Tonally, Fingerstyle guitars have a much quicker response and rely less on raw headroom. The variable to achieve this reflects the tone woods you choose and the bracing pattern used to voice the instrument.

Topics covered: Layout and design - wood selection - top sets - back and sides - plate joining - thickness sanding - bending sides - cutting rosette - cutting sound hole - fitting to mold - parabolic sanding - fitting kerfing - side braces - scalloping back braces - scalloping top braces - assembling body - binding and perflings

Multi scale neck – 40 hrs

Players are very particular about the neck styles they play. In many cases, the neck's feel and contour are the first thing players consider when purchasing a guitar. We’ll look at how the neck affects the tone, feel, and playability of the guitar.

Topics covered: multi-scale lengths - making a fretboard - peghead designs - overlays - tuner layout - truss rod installation - gluing on the fretboard - carving necks - setting necks - fretboard markers - leveling fretboards - fretting - side markers - peghead inlays - heel cap

Finishing – 40 hrs Bryan has spent years perfecting acoustic guitar finishes. The methods taught at the Galloup School are systematically perfected operations that will deliver a finish that gives the best tone without sacrificing wood protection.

Topics covered: finish sanding - masking techniques - spray gun operations - wash coats - fillers - clear coats - wet sanding - buffing

Assembly and setup– 40 hrs Final setup and assembly are the means to well-balanced tone and great playability. Most people consider these to be the most challenging aspects of the course.

Topics covered: final neck set - bridge layout - gluing bridges - tuner installation - fitting bridge pins - leveling fretboards - fretting - fret dressing - bone nut - bone saddle - final setup - final buff and polish 

Tone Wood Upgrades

For the Level One Acoustic, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    

 

 


Level Three: Option Four

Classical Guitar

The Classical Guitar was recently re-introduced to the school curriculum by senior instruction Sam Guidry. This is a traditional 660 mm-scale instrument modeled after the iconic European instruments.

Body – 80 hrs The tonal response of a Classical Guitar is profoundly different than that of a steel string instrument. The lower tension of the nylon strings require a different set of skills to produce the rich delicate tone of a classical guitar.

Topics covered: design - wood selection - top sets - back and sides - plate joining - thickness sanding - bending sides - cutting rosette - cutting sound hole - fitting to mold - parabolic sanding - fitting kerfing - side braces - lattice bracing - top and brace voicing - assembling body - binding and perflings

Neck – 40 hrs Classical players are particular about the neck styles they play. The neck's feel and contour are the first thing players consider when purchasing a guitar. We’ll look at how the neck affects the tone, feel, and playability of the guitar.

Topics covered: scale lengths - making a fretboard - slotted peghead designs - overlays - tuner layout - truss rod installation - gluing on the fretboard - carving necks - setting necks - leveling fretboards - fretting - side markers - heel cap

Finishing – 40 hrs Even though the back, sides and neck will be a modern style finish, you will apply a traditional shellac "French Polish"- style finish to the top. The methods taught at the Galloup School are systematically perfected operations that will deliver a finish that gives the best tone without sacrificing wood protection.

Topics covered: finish sanding - masking techniques - spray gun operations - wash coats - fillers - clear coats - shellac finishes - French polishing - wet sanding - buffing

Assembly and setup– 40 hrs 

Most people consider these to be the most challenging aspects of the course and a classical instrument has a unique set of challenges. You will learn how to handle the setup of classical instruments to accommodate the lower-tension nylon strings.

Topics covered: final neck set - pin-less bridge making - bridge layout - gluing bridges - tuner installation - leveling fretboards - fretting - fret dressing - bone nut - bone saddle - final setup - final buff and polish 

Tone Wood Upgrades

For the Level one Acoustic, as with all of our Galloup School class projects, we offer premium tone wood upgrades upon request. Please call for availability and pricing.    


Voicing Level Three

Application – 10 hrs To build on the foundation established in Voicing 1 and 2 through practical application. Setting aside any bias about what is the best tone, the builder’s challenge is creating the conditions that deliver the particular tone needed from a particular guitar.

Topics covered: review material testing – applying measurement testing – purpose of voicing – brace carving – top voicing – back tuning – measuring resonances – body tuning – summary conclusions

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Tuition and Application

Tuition and Downloadable Application

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If you would like more information about the Galloup School, email us at school@galloupguitars.com.